According to new research, a determination has been made by Hubert van Eyck, the brother of Ghent Altarpiece creator Jan van Eyck, was partly responsible for the construction of the painting and contributed to it more than became previously understood. Specifically, scholars have discovered an underlying painting that resides under the final product that they officially associate with Hubert: apparently, the brother heaven was created, parts of the landscape, meadows and other broader features of the painting. Subsequently, it seems Jan vann Eyck has stepped in to add additional features such as buildings.
Research on the famous triptych is being conducted by the Royal Institute for Cultural Heritage; research explained that the discovery of paintings different handwriting “Brings clarity to an old puzzle and opens the door to a new chapter in the study of Flemish Primitives — the search for other paintings by Hubert van Eyck.” Important, Hubert “It may be the missing link between pre-Eyckian painting and the radically innovative Ars Nova of his younger brother Jan van Eyck.”
“We really think Hubert did the underdrawing, started working on it in paint, but he had to stop the work at a certain point,” art historian Griet Steyaert said. The Art Newspaper. “Jan is done.” Last year, the Ghent Altarpiece also made news due to an update on the central Mystic Lamb that many viewers were completely confused. The restoration revealed that the lamb’s face was originally thought of as a more alien, humanoid and downright disturbing creation; the face is subsequently softened and less peculiar in recent years. When the original vision is revealed, memes abound, but the smartest among the internet prattle can see the merit: even extending into the 21st century, the legend Ghent Altarpiece there is still the power to marvel.